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Despite what the unnamed bald man with the cat in For You Eyes Only tells him, Bond certainly has respect for the dead. He mainly puts it on to visit a cemetery. Bond is off-duty in this suit and wearing it because he wants to wear a suit. The tan Massimo Alba baby corduroy suit from the Italy scenes sees more action than any of the Tom Ford suits. And like the Casino Royale dinner suit, it’s provided to him by another character with excellent taste. I don’t think it has the elegance of the former dinner suit, but it’s in character and a good send-off for Daniel Craig’s Bond. But it could easily pass for the Quantum of Solace dinner suit, particularly thanks to the medium-wide shawl collar and gauntlet cuffs. It has a single vent instead of double vents, and the fabric is a practical stretch wool instead of a luxurious mohair and cashmere blend. It’s almost identical to the Quantum of Solace dinner suit, with only minor tweaks. The black shawl-collar dinner suit in No Time to Die, like the two checked suits, is similar to a dinner suit from before. No Bond film would be complete without the dinner jacket sequence (though it doesn’t feel lacking from the two films that’s don’t include it). The suits, as beautiful as they are, do not have a bespoke look to them, despite being made in a bespoke manner to Daniel Craig’s individual pattern. Every suit jacket has this problem, but it was with the blue suit that it is most noticeable. However, the collar of the blue suit does not sit against the neck in any scene, and I find it distracting. The fit of the Tom Ford suits is slightly improved for No Time to Die compared to Skyfall and Spectre. It feels like they could be suits from his previous Bond films that returned. Craig previously wore both grey and blue checked suits as Bond, so while these patterns are not exactly the same as any that came before, the suits feel familiar and are perfectly in character for Craig’s Bond. The grey pinpoint melange suit would have been a nice replacement for either suit. Bond goes from the grey suit one day to the blue suit the next day. I think the fabrics of both the grey and blue checked suits are beautiful, but I think that some variety in suiting patterns beyond different variations on the Prince of Wales/glen check would have been nice. They also have a dark grey pinpoint melange suit in the collection that does not appear in the film. M (Ralph Fiennes) might wear one of the other ties from the collection. Tom Ford have six ties as part of their unofficial No Time to Die collection, but only the navy ottoman tie shows up on Bond in the film. All three of the Tom Ford shirts have cocktail cuffs (returning from their revival in Spectre), which places No Time to Die alongside Thunderball, Diamonds Are Forever and The Man with the Golden Gun as the only films where Bond wears cocktail cuffs with both suits and evening wear. They provided a black shawl-collar dinner jacket and dress shirt, a grey Prince of Wales check suit with a white tab-collar shirt and navy ottoman tie, and a blue Prince of Wales check suit with a light blue point-collar shirt (the tie is not from Tom Ford). Apart from a pair of slim grey jeans, Tom Ford’s contributions to the film are limited to the suits and formal shirts. Tom Ford’s clothes are featured less in No Time to Die than in any of Craig’s previous films. There are no costumes changes for the sake of variety. The costume changes are easy to follow in the film, and they all make sense within the context of the film. Some outfits get a tremendous amount of screen time, whilst others are only on screen very briefly. We unfortunately do not see any new outfits in the film that we have not seen before. Trailers, stills, paparazzi photos and a music video have already presented us with looks at all of the clothes that Daniel Craig wears in the film. New brands for Bond like Massimo Alba, Connolly, Rogue Territory, Tommy Bahama, Rag & Bone, Anderson & Sheppard, Sperry, Alexander Olch, Vuarnet and Barton Perreira fit in naturally with the rest of Bond’s clothes in the film. Familiar clothing brands like Crockett & Jones, Orlebar Brown, N.Peal, Barbour, Brunello Cucinelli, Danner, Albert Thurston and Benson & Clegg return.
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We see the return of Tom Ford, Bond’s primary clothier since Quantum of Solace, but they have less representation in Craig’s wardrobe than before. Daniel Craig’s wardrobe in No Time To Die, designed by Suttirat Anne Larlarb, features a welcome mix of old Craig-era styles and new styles.